Plots against Russia

Conspiracy and Fantasy after Socialism

About this Project

The Plots against Russia blog was my first experiment with serializing a scholarly book as I was writing it. I started the blog on November 11, 2015, and posted the last entry on June 15, 2017. I leave it to my readers to decide how successful the experiment was in terms of quality, but it transformed the way I go about writing.

And I haven’t looked back. I serialized the first draft of Russia’s Alien Nations after that, and am now in the middle of Marvel in the 1970s.

The book came out in 2019, and the blog in its previous incarnation ran its course. As part of my consolidation of my various projects under one roof (this one), I ported the entries from the Introduction to the page you’re looking at now. The rest of the book is no longer available on-line.

If you want to read more, you can find the book at the Cornell University Press website and Amazon, as well as many other venues.

The book won the 2020 Wayne S. Vucinich prize for “most important contribution to Russian, Eurasian, and East European studies in any discipline of the humanities or social sciences” and the 2020 AATSEEL award for Best Book in Cultural Studies.

So far it has been reviewed by Birgit Beumers at Slavic Review, Alexei Golubev at H-Net, Emily Johnson at Slavic and East European Journal, Pavel Khazanov at The Russian Review, Amy Knight at TLS, and Louis Train at Lossi 36.

Plots against Russia Cover.jpeg
Eliot Borenstein Eliot Borenstein

Mischief Managed

The story of ideology after the collapse of the Soviet Union is the story of conspiracy

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Eliot Borenstein Eliot Borenstein

What Not to Wear: Discarding the Emperor’s New Clothes

By the time Putin is elected to his third term, media figures had developed a reflexive response to any apparent manifestation of anti-government sentiment: “Кто за этим стоит?” (“Who is (really) behind this?).

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Eliot Borenstein Eliot Borenstein

Ten Years That Shook the World

The demonization of an entire decade is the temporal cornerstone of Putinism, and it is one that was so often prefigured during the 90s themselves that the period's rejection looks almost like a foregone conclusion

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Eliot Borenstein Eliot Borenstein

Praying for Reign

It was not enough for people to find meaning for themselves; meaning was only meaningful if it was for everybody.

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Eliot Borenstein Eliot Borenstein

Allegories of Re-Reading

The 1990s are commonly treated in terms of the absence of ideology (the idea of the idea), of a time of moral incoherence, but all of these are also a breakdown of allegorical thought.

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Eliot Borenstein Eliot Borenstein

Punch-Drunk History

Conspiracy is a ready answer to an eternal question: why are things so bad?

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Eliot Borenstein Eliot Borenstein

Huge Tracts of Land

The first, and perhaps most obvious, feature of the Russia narrative is that it places Russia squarely at the center of modern world history

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Eliot Borenstein Eliot Borenstein

Epic Fail: Forging a Russian Past

Fomenko’s revisionism has roots going back to Soviet times (which, if we follow his mathematical contortions, probably took place during the first half of 2012).

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Eliot Borenstein Eliot Borenstein

Ideological Cosplay

Ideological tracts erase the difference between the conditional and the indicative, passing political fantasy off as a faithful description of Russia’s past, present, and possible future.

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Eliot Borenstein Eliot Borenstein

Tales from the Cryptic

Debunking a fallacy is less a tool for persuasion than it is a rite of solidarity performed by and for the faithful.

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Eliot Borenstein Eliot Borenstein

Russia and Other Ideas

In 1992, I even met a woman whose name was “Idea.” Or, since we were on formal terms, “Idea, Daughter of George.”

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Eliot Borenstein Eliot Borenstein

Why Russia?

Is Russia truly unique in its government officials’ concern for the country’s image? Is Russian culture being dismissed as “paranoid?

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